Discover an advanced method of applying the Orton effect that keeps file sizes small and image quality at its best. I developed this refined technique myself in response to upgrading to a higher resolution camera, which meant the original technique created huge file sizes when saving layered images as TIFFs. And also, to deal with the problem of crushed shadows. This version solves both of these issues for the best results possible, and the tutorial works for Both Photoshop and Affinity Photo.
It’s always a pleasure to see one of your images gracing the cover of a magazine, and I’m delighted to say that my winter sunrise shot of Southwold Pier was used on the cover of the December 2019 issue of PhotoPlus magazine. The full image is actually landscape format, and can be seen in full below, but it works well in the portrait crop used for the cover.
I’m delighted to announce that my image of mist rolling into Dee Valley, near Llangollen in North Wales at sunrise has been selected to be featured in the Discover Cymru Calendar 2020. This image was taken during my second visit to the location where weather conditions were looking promising for mist, and they certainly didn’t disappoint.
Improve your landscape photography skills with a small group workshop in the Peak District with professional landscape photographer James Abbott on Friday 24th January 2020. The workshop will be limited to just five people so everyone can take advantage of lots of one-to-one and group tuition throughout the day. The workshop costs just £150 per person.
Capturing pin-sharpness throughout a scene – from the foreground to the distant background – is often the photographer’s aim when shooting landscapes. For wider scenes where the foreground interested is a few metres away from the camera you can usually get away with shooting a single image at f/11 – f/16 on a full-frame camera, or f/8 – f/11 on APS-C. With these settings and correct focusing front to back sharpness is possible in a single shot, but what about when the foreground interest is closer to the camera and you need both this and the background in sharp focus? The simple answer is to use focus stacking to achieve sharper landscape images.