For the week preceding the announcement of the Sony FE 20mm f/1.8 I was out shooting with the lens in Suffolk and Northumberland to capture images to accompany my review of the lens on Tech Radar. Scroll down to check out some of the images I took and to read about some of the features of the lens.
I’m delighted to announce that my image of mist rolling into Dee Valley, near Llangollen in North Wales at sunrise has been selected to be featured in the Discover Cymru Calendar 2020. This image was taken during my second visit to the location where weather conditions were looking promising for mist, and they certainly didn’t disappoint.
Improve your landscape photography skills with a small group workshop in the Peak District with professional landscape photographer James Abbott on Friday 24th January 2020. The workshop will be limited to just five people so everyone can take advantage of lots of one-to-one and group tuition throughout the day. The workshop costs just £150 per person.
Capturing movement in the landscape is a simple and highly effective way of adding a sense of dynamism to your landscape photography. And while the mechanical nature of photography can, if left unchecked, render scenes looking like little more than a snapshot, with the right compositional approach and shutter speed you can transform scenes in creative ways that transcend the capabilities of human vision.
Capturing pin-sharpness throughout a scene – from the foreground to the distant background – is often the photographer’s aim when shooting landscapes. For wider scenes where the foreground interested is a few metres away from the camera you can usually get away with shooting a single image at f/11 – f/16 on a full-frame camera, or f/8 – f/11 on APS-C. With these settings and correct focusing front to back sharpness is possible in a single shot, but what about when the foreground interest is closer to the camera and you need both this and the background in sharp focus? The simple answer is to use focus stacking to achieve sharper landscape images.
You’ve probably heard this before and chances are, you’ll hear it many times in the future; one of the best times of day to shoot landscapes is the period of time just after sunrise and just before sunset. These times are known as ‘golden hour’ and despite the name, this period of time isn’t actually an hour in duration. At this time of the day the sun is close to the horizon, which means the area of sky close to the horizon is brighter than the sky at the top of the frame.
Timing is everything when it comes to landscape photography, so to capture landscapes in the best light possible you ideally need to be on location and ready to shoot before, during and after golden hour. Bur while sunrise and sunset are considered the best times to shoot landscapes, they’re far from the only options. Throw the weather into the mix and you may even find that conditions are actually better well after sunrise has taken place. And on a moody and cloudy day, you may even be able to get great results throughout the day.
Autumn is a great time for landscape photographers; not least for the explosion of colour that takes place up and down the country, but also because sunrise and sunset times become much more ‘civilised’ now the long days of summer are behind us. But it’s not just landscape photographers who are out in force, autumn is also a popular season for macro and nature photographers, and this autumn I’ve been out as much as possible shooting both landscapes and macro photography.
Shooting time-lapse photography is something I often use my second camera for while shooting landscape photography at sunrise and sunset. This time-lapse shows cloud coming over Kinder Scout in the Peak District before dispersing with the Edale Valley in the foreground. To watch the time-lapse take a look at the video below.
For any photographer, getting your images on the front cover of a magazine is something that never loses its charm. I was delighted to have one of my landscape images taken at Winskill Stones in the Yorkshire Dales, features on the cover of the 26 may 2018 issue of Amateur Photographer magazine. The cover image was used to accompany a technique feature covering focus stacking in landscape photography. See a larger version of the front cover and the focus stacking article below.