If you’ve bought a copy of The Digital Darkroom: The Definitive Guide to Photo Editing, I want to say a huge thank you and hope that you enjoy the book while improving your photo editing skills. On page 170 there’s a tutorial covering advanced masking & blending, so to help you to complete the tutorial you can download the start images using the link below.
My first book, The Digital Darkroom: The Definitive Guide to Photo Editing goes on sale today, and is aimed at users of both Adobe Photoshop and Affinity Photo. This is a unique approach to photo editing books, and photographers of all levels using either software option can benefit from the tutorials that are designed to help you to become an expert image editor.
Super Resolution is a new feature that was introduced in Adobe Camera Raw 13.2, and in a nutshell it provides a way of doubling the resolution of images; the height and width of a Raw file, JPEG or TIFF can be doubled to provide four times the original resolution. Let’s take a look at how to use it with Raw files in Adobe Camera Raw, and ask the important question – is Super Resolution actually any good?
Learn how to apply the Orton Effect in Affinity Photo to achieve the best effect possible as well as smaller file sizes. By combining the Layers created for the effect into a single Layer file sizes can remain small when saving images as TIFFs or in other formats that support Layers. But most importantly, this approach avoids crushing shadow detail to maintain the most natural effect possible.
Find the perfect gift for your photographer friend or relative with this list of incredibly useful photography accessories. Whatever your budget, and whether you’re buying a gift for a birthday, Christmas or any another special occasion, find the ideal gifts for photographers here…
Learn how to process HDR images in Lightroom Classic for natural results. HDR photography is a contentious subject because many photographers process images poorly resulting in mushy mid-tones and halos along high contrast subject edges. But this approach is so natural-looking it’s almost impossible to tell that the technique has been used.
One of the great things about Fujifilm cameras is the ability to apply Film Simulation Modes to your JPEGs in-camera. These are a selection of settings that simulate the look and feel of some of Fujifilm’s best loved films including Provia, Velvia, Astia and many more.
Raw files obviously don’t carry the film simulation data, so what happens when you shoot Raw? The simple answer, if you process your shots using Adobe Camera Raw or Lightroom, is that you can apply them as a profile during processing. Here’s are two tutorials to show you how o apply Fujifilm Film Simulation Modes…
Learn how to shoot graphic silhouette portraits in a photographic studio or at home using this incredibly easy technique. Silhouettes generally focus purely on shape, whereas this approach aims to capture a small amount of detail in the model’s face for a much more interesting result.
Colour correction in Photoshop can be notoriously tricky and time-consuming. But whether you’re a seasoned pro or absolute beginner, this incredibly simple yet powerful technique will allow you to colour correct photos in less than 30 seconds. This ultimately means less time fiddling with sliders and more time shooting and editing your shots to perfection.
My first book, The Digital Darkroom: The Definitive Guide to Photo Editing, is now available on Amazon in paperback and Kindle editions. Through tutorials, you can become an editing expert and make your images stand out from the crowd while gaining a greater understanding of Adobe Photoshop and Affinity Photo; what it has to offer and how to harness its power.