Capturing pin-sharpness throughout a scene – from the foreground to the distant background – is often the photographer’s aim when shooting landscapes. For wider scenes where the foreground interested is a few metres away from the camera you can usually get away with shooting a single image at f/11 – f/16 on a full-frame camera, or f/8 – f/11 on APS-C. With these settings and correct focusing front to back sharpness is possible in a single shot, but what about when the foreground interest is closer to the camera and you need both this and the background in sharp focus? The simple answer is to use focus stacking to achieve sharper landscape images.
There’s always more than one way to achieve an effect in Photoshop, but why use anything but the best? And for portrait and fashion retouching, that’s frequency separation retouching to maintain skin texture. Check out the video and written tutorials below…
Moody landscape photography is equally as popular as bright and colourful landscapes because let’s face it, the weather doesn’t always play ball when you’re out shooting. In this short guide we’ll take a look at some of the key elements of shooting moody landscapes, as well as an editing technique that’s guaranteed to make your moody landscapes more dramatic than ever before.
How to create a hazy desaturated matte effect in Photoshop. Learn two techniques to add a matte effect and haze – the effects can be used individually or together, and work well with all images. Portraits and landscapes in particular benefit from these awesome techniques. We’ll also take a quick look at one of the most effective desaturation techniques because it works perfectly with a hazy matte style.
Learn how to create sunlight in Photoshop and add it to your landscapes, portraits or automotive shots. Sometimes a bright burst of sunlight can completely transform an image. But what can you do if the sun wasn’t out or in the frame? Add it yourself with this highly effective technique.