PHOTOGRAPHY
Improve your photography by learning from the professional photographers in Cambridge with a Photography Masterclass with Campkins Cameras on Sunday 31st March, 10am-4pm, for just £7.50. This event is a perfect opportunity to hear and see how professional photographers work and how they capture their images. Learn from the professionals and get a taste of the masterclasses on offer throughout 2019. Limited space so reserve your spot today.
The BenQ ScreenBar e-Reading Lamp is an innovative desk light that’s designed to free up space on your desk by clipping to the top of monitors while providing the right amount of light to avoid eye strain when working at your computer. It’s designed not to produce glare on the monitor screen, but the question is how effective is it? Read on to learn more and watch the video unboxing and review below.
Capturing pin-sharpness throughout a scene – from the foreground to the distant background – is often the photographer’s aim when shooting landscapes. For wider scenes where the foreground interested is a few metres away from the camera you can usually get away with shooting a single image at f/11 – f/16 on a full-frame camera, or f/8 – f/11 on APS-C. With these settings and correct focusing front to back sharpness is possible in a single shot, but what about when the foreground interest is closer to the camera and you need both this and the background in sharp focus? The simple answer is to use focus stacking to achieve sharper landscape images.
You’ve probably heard this before and chances are, you’ll hear it many times in the future; one of the best time to shoot landscapes is most often the period of time just after sunrise and just before sunset. These times are known as ‘golden hour’ and despite the name, this period of time isn’t actually an hour in duration. At this time of the day the sun is close to the horizon, which means the area of sky close to the horizon is brighter than the sky at the top of the frame.
Timing is everything when it comes to landscape photography, so to capture landscapes in the best light possible you ideally need to be on location and ready to shoot before, during and after golden hour. Bur while sunrise and sunset are considered the best times to shoot landscapes, they’re far from the only options. Throw the weather into the mix and you may even find that conditions are actually better well after sunrise has taken place. And on a moody and cloudy day, you may even be able to get great results throughout the day.
There’s always more than one way to achieve an effect in Photoshop, but why use anything but the best? And for portrait and fashion retouching, that’s frequency separation retouching to maintain skin texture. Check out the video and written tutorials below…
Moody landscape photography is equally as popular as bright and colourful landscapes because let’s face it, the weather doesn’t always play ball when you’re out shooting. In this short guide we’ll take a look at some of the key elements of shooting moody landscapes, as well as an editing technique that’s guaranteed to make your moody landscapes more dramatic than ever before.
Learn how to create sunlight in Photoshop and add it to your landscapes, portraits or automotive shots. Sometimes a bright burst of sunlight can completely transform an image. But what can you do if the sun wasn’t out or in the frame? Add it yourself with this highly effective technique.
How many times have you shot a killer image at golden hour only to find it practically ruined by ugly lens flare? Learn how to quickly and easily remove lens flare from your landscape images in Photoshop. This is an essential technique for all photographers who often shoot landscapes and cityscapes at sunrise and sunset with the sun in the frame.