If you’ve bought a copy of The Digital Darkroom: The Definitive Guide to Photo Editing, I want to say a huge thank you and hope that you enjoy the book while improving your photo editing skills. On page 170 there’s a tutorial covering advanced masking & blending, so to help you to complete the tutorial you can download the start images using the link below.
My first book, The Digital Darkroom: The Definitive Guide to Photo Editing goes on sale today, and is aimed at users of both Adobe Photoshop and Affinity Photo. This is a unique approach to photo editing books, and photographers of all levels using either software option can benefit from the tutorials that are designed to help you to become an expert image editor.
Super Resolution is a new feature that was introduced in Adobe Camera Raw 13.2, and in a nutshell it provides a way of doubling the resolution of images; the height and width of a Raw file, JPEG or TIFF can be doubled to provide four times the original resolution. Let’s take a look at how to use it with Raw files in Adobe Camera Raw, and ask the important question – is Super Resolution actually any good?
Learn how to apply the Orton Effect in Affinity Photo to achieve the best effect possible as well as smaller file sizes. By combining the Layers created for the effect into a single Layer file sizes can remain small when saving images as TIFFs or in other formats that support Layers. But most importantly, this approach avoids crushing shadow detail to maintain the most natural effect possible.
Find the perfect gift for your photographer friend or relative with this list of incredibly useful photography accessories. Whatever your budget, and whether you’re buying a gift for a birthday, Christmas or any another special occasion, find the ideal gifts for photographers here…
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Learn how to process HDR images in Lightroom Classic for natural results. HDR photography is a contentious subject because many photographers process images poorly resulting in mushy mid-tones and halos along high contrast subject edges. But this approach is so natural-looking it’s almost impossible to tell that the technique has been used.
It’s often said that the best camera is the one you have with you, and for most of us that’s going to be our smartphone. But there is a better way, and that’s to make sure that the camera you have with you is significantly better than a smartphone.
Capturing motion in the scene when shooting landscapes is the perfect way to add a sense of dynamism to your photography. For those occasions where you don’t have an ND filter with you, learn how to create a fake Big Stopper effect in Photoshop using this simple technique.
The Vanguard VEO 3+ 263CB Carbon Fibre Tripod with the VEO BH-160 Arca Compatible Ball Head is Vanguard’s most recent member of the hugely popular VEO range. But this new model takes Vanguard tripods in an exciting new direction with a more robust, easy to use and indeed stylish design. Is this the Vanguard’s best tripod to date?
One of the great things about Fujifilm cameras is the ability to apply Film Simulation Modes to your JPEGs in-camera. These are a selection of settings that simulate the look and feel of some of Fujifilm’s best loved films including Provia, Velvia, Astia and many more.
Raw files obviously don’t carry the film simulation data, so what happens when you shoot Raw? The simple answer, if you process your shots using Adobe Camera Raw or Lightroom, is that you can apply them as a profile during processing. Here’s are two tutorials to show you how o apply Fujifilm Film Simulation Modes…