Capturing movement in the landscape is a simple and highly effective way of adding a sense of dynamism to your landscape photography. And while the mechanical nature of photography can, if left unchecked, render scenes looking like little more than a snapshot, with the right compositional approach and shutter speed you can transform scenes in creative ways that transcend the capabilities of human vision.
Improve your photography by learning from the professional photographers in Cambridge with a Photography Masterclass with Campkins Cameras on Sunday 31st March, 10am-4pm, for just £7.50. This event is a perfect opportunity to hear and see how professional photographers work and how they capture their images. Learn from the professionals and get a taste of the masterclasses on offer throughout 2019. Limited space so reserve your spot today.
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Capturing pin-sharpness throughout a scene – from the foreground to the distant background – is often the photographer’s aim when shooting landscapes. For wider scenes where the foreground interested is a few metres away from the camera you can usually get away with shooting a single image at f/11 – f/16 on a full-frame camera, or f/8 – f/11 on APS-C. With these settings and correct focusing front to back sharpness is possible in a single shot, but what about when the foreground interest is closer to the camera and you need both this and the background in sharp focus? The simple answer is to use focus stacking to achieve sharper landscape images.
Timing is everything when it comes to landscape photography, so to capture landscapes in the best light possible you ideally need to be on location and ready to shoot before, during and after golden hour. Bur while sunrise and sunset are considered the best times to shoot landscapes, they’re far from the only options. Throw the weather into the mix and you may even find that conditions are actually better well after sunrise has taken place. And on a moody and cloudy day, you may even be able to get great results throughout the day.